Irish Comics Wiki
No edit summary
 
(34 intermediate revisions by the same user not shown)
Line 1: Line 1:
[[File:JFO'Hea.jpg|thumb|250px|John Fergus O'Hea, self-caricature, 1897-98]]
+
[[File:JFO'Hea.jpg|thumb|250px|right|Self-caricature]]
'''John Fergus O'Hea''' (b. ca. 1838; d. 2 September 1922) was a political cartoonist from Cork who sometimes published under the pseudonym '''Spex'''. He was the son of James O'Hea, a barrister who was active in the Young Ireland movement and had been secretary to Daniel O'Connell. He initially trained in medicine in Nice, but dropped out, instead studying art at the Cork School of Design from 1857 to 1860. He painted trade union banners for Cork parades in the 1860s, 70s and 80s.
+
'''John Fergus O'Hea''' (b. Kilkerran, Co. Cork, c. 1838; d. London, [[2 September]] [[1922]]) was a political cartoonist who sometimes published under the pseudonym '''Spex'''. He was the son of James O'Hea, a barrister who was active in the Young Ireland movement and had been secretary to Daniel O'Connell.
   
  +
He first attended the Cork School of Design in 1850, and also received some medical edication in Nice, before dropping out and returning to Cork. He matriculated at the Cork School of Design from 1857 to 1860.
In the late 1860s he became the primary cartoonist for A. M. Sullivan's nationalist ''[[Weekly News]]'' in Dublin, his drawings usually appearing on the front page. He attacked the British government for their heavy-handed censorship in sentencing Sullivan to six months in Richmond Gaol for seditious libel, and visited Sullivan in prison five times.
 
   
  +
In the late 1860s he became the primary cartoonist for [[wikipedia:Alexander Martin Sullivan|A. M. Sullivan]]'s nationalist ''Weekly News'' in Dublin, his drawings usually appearing on the front page. O'Hea's cartoons were part of Sullivan's attack on the 1867 execution of the "[[wikipedia:Manchester Martyrs|Manchester Martyrs]]", three [[wikipedia:Fenian|Fenians]] who had killed a policeman while springing their comrades from a police van, and he supported his editor when he was arrested for seditious libel for his protests, visiting him in prison several times.
In 1870 O'Hea and Sullivan founded the humorous magazine ''[[Zozimus]]'', an Irish answer to ''[[Punch]]''. O'Hea was chief artist and drew the covers. In its second year Richard Dowling became editor. Other cartoonists who contributed included [[Harry Furniss]] and [[Wallis Mackay]]. In 1872, after ''Zozimus'' folded, he moved to London and contributed to an Irish-run magazine called ''Tomahawk'', which only lasted a few issues.
 
   
  +
Despite these anti-establishment activities, O'Hea was commissioned to paint ''Punchestown in 1868'', commemorating the visit of the Prince of Wales to Punchestown races. The painting contained likenesses of the royal party, jockeys and patrons of the races, and prints circulated widely.
Back in Dublin in 1874, O'Hea, Dowling and Edwin Hamilton founded ''[[Ireland's Eye]]''. After the style of ''Vanity Fair'', each issue featured a colour caricature of a notable person, drawn by O'Hea under the name "Spex". Two editions of each issue were published, one at 6d with the cartoon in colour, the other at 3d with the cartoon in black and white. ''Ireland's Eye'' closed in 1876, after which O'Hea and Hamilton revived ''Zozimus'' as ''Zoz''. O'Hea drew a full or double page cartoon in each issue until it too folded two years later. In 1879 O'Hea and Hamilton launched a new magazine, ''[[Pat]]'', which ran until 1883 and from 1881 also featured cartoons by [[Thomas Fitzpatrick]].
 
   
 
In 1870 O'Hea and Sullivan founded the humorous magazine ''[[Zozimus]]'', an Irish answer to ''Punch''. O'Hea was chief artist and drew the covers, as well as the "Our Niche" feature, a sketch portrait of a notable figure. In its second year Richard Dowling became editor. Other cartoonists who contributed included [[Harry Furniss]] and [[Wallis Mackay]]. In 1872, after ''Zozimus'' folded, he moved to London and contributed to a short-lived magazine called ''Tomahawk''.
In the 1880s O'Hea contributed a large colour weekly political cartoon to the ''[[Weekly Freeman]]'', a weekly nationalist newspaper. He also drew cartoons for ''[[The Nation]]'', and created poster-sized lithographs for the Christmas issues of magazines such as the ''[[Shamrock]]'', ''Young Ireland'' and ''The Sunshine''. He was on staff at the ''Weekly Freeman'' from 1893 to 1896. For a time he was manager of the pictorial department of the ''[[Evening Telegraph]]''.
 
   
 
Back in Dublin in 1874, O'Hea, Dowling and Edwin Hamilton founded ''[[Ireland's Eye]]''. After the style of ''Vanity Fair'', each issue featured a colour caricature of a notable person, drawn by O'Hea under the name "Spex". Two editions of each issue were published, one at 6d with the cartoon in colour, the other at 3d with the cartoon in black and white. ''Ireland's Eye'' closed in 1876, after which O'Hea and Hamilton launched ''[[Zoz]]'', a weekly paper for which O'Hea drew a full or double page cartoon in each issue. The politics were toned down, and the satire focused on Dublin society figures. It lasted until 1878.
O'Hea's talents were highly regarded, even by those who did not share his nationalist politics. In 1883 the conservative British journal ''St. Stephen's Review'' described O'Hea as an "out-and-out nationalist", but also as "one of the cleverest artists in the three kingdoms" who "could be making his thousands per annum if he cared to live in London, where he is well known and highly thought of;" instead he "draws his most marvellous cartoons for the most miserable of Irish comic papers." In 1890 William Ewart Gladstone gave "a high testimony to the ability and principle of the ''Weekly Freeman'' artist" and described his pencil as "directly guided by a spirit of patriotism".
 
   
  +
In 1879 O'Hea and Hamilton launched a new magazine, ''[[Pat]]'', another satirical weekly, in which O'Hea lampooned English cartoon stereotypes of the Irish, and introduced the [[:Category:Pat (character)|character of Pat]], the Irish people personified as a handsome, good-natured tenant farmer, sometimes discreetly armed with a shillelagh. ''Pat'' temporarily ceased publication in 1880, but reappeared in 1881, O'Hea now creating his cartoons in collaboration with a young protegé, [[Thomas Fitzpatrick]], and finally closed in 1883.
In January 1897 he delivered an illustrated lecture on "Irish Caricaturists and Cartoonists" to the Irish Literary Society in London. He lived in London from the 1893 until his death. Towards the end of his career, in 1914-15, he drew cartoons for Thomas Fitzpatrick's magazine ''[[The Lepracaun]]'', during Fitzpatrick's final illness.
 
   
  +
For a time after that, O'Hea was manager of the pictorial department of the ''Evening Telegraph'', and created poster-sized [[wikipedia:Chromolithography|chromolithographs]] for the Christmas issues of magazines such as ''[[The Shamrock]]'', ''Young Ireland'' and ''The Sunshine'', and drew cartoons for A. M. Sullivan's newpaper ''[[The Nation]]''.
==Cartoon gallery==
 
<gallery>
 
File:Oheabritannia1867.jpg|Cartoon from the ''Weekly News'', 1867
 
File:1881-01-22 O'Hea Pat 2.1.2.jpg|From ''Pat'' 2.1.2, 22 January 1881
 
File:1881-04-16 O'Hea the genius of the bill.jpg|"The Genius of the Bill", ''Weekly Freeman'', 16 April 1881
 
File:1881-07-02 O'Hea a terrible record.jpg|"A Terrible Record", ''Weekly Freeman'', 2 July 1881
 
File:1881-08-20 O'Hea Pat 2.2.32.jpg|Cover of ''Pat'' 2.2.32, 20 August 1881
 
File:1881-12-24 O'Hea a terrible emergency.jpg|"A Terrible Emergency", ''Weekly Freeman'', 24 December 1881
 
File:1884-06-21 O'Hea Orange Loyalty.jpg|"Orange Loyalty", ''Weekly Freeman'', 21 June 1884
 
File:1884-10-18 O'Hea the reason why.jpg|"The Reason Why", ''Weekly Freeman'', 18 October 1884
 
File:1885-01-10 O'Hea An Old Story Re-Told.jpg|"An Old Story Re-Told", ''Weekly Freeman'', 10 January 1885
 
File:1885-01-17 O'Hea Love's Device.jpg|"Love's Device", ''Weekly Freeman'', 17 January 1885
 
File:1885-03-07 O'Hea A game two can play at.jpg|"A Game That Two Can Play At", ''Weekly Freeman'', 7 March 1885
 
File:1885-10-10 O'Hea independence not separation.jpg|"Independence, not Separation", ''Weekly Freeman'', 10 October 1885
 
File:1885-11-28 O'Hea General Election Game.jpg|"The General Election Game", ''Weekly Freeman'', 28 November 1885
 
File:1886-02-20 O'Hea Our Model.jpg|"Our Model", ''Weekly Freeman'', 20 February 1886
 
File:1886-07-31 O'Hea dissecting table.jpg|"On the dissecting table", 1886
 
File:1887-01-29 O'Hea the burning question.jpg|"The Burning Question", ''Weekly Freeman'', 4 June 1887
 
File:1887-06-04 O'Hea Rejoice oh greatly.jpg|"Rejoice Oh! Greatly", ''Weekly Freeman'', 4 June 1887
 
File:1887-07-23 O'Hea In the Lion's Den.jpg|"In the Lion's Den", ''Weekly Freeman'', 23 July 1887
 
File:1888-06-16 O'Hea A general invitation.jpg|"A General Invitation", ''Weekly Freeman'', 16 June 1888
 
File:1889-05-11 O'Hea Another Knockdown.jpg|"Another Knockdown!", ''Weekly Freeman'', 11 May 1889
 
File:1889-07-20 O'Hea Come On.jpg|"Come On!!!", ''Weekly Freeman'', 20 July 1889
 
File:1899-03-18 O'Hea the warrior bard.jpg|"The Warrior Bard", ''Weekly Freeman'', 18 March 1899
 
</gallery>
 
   
  +
He drew a regular black and white cartoon on the front page of the ''[[Weekly Freeman]]'' from August 1879 to December 1880, following which his cartoon was printed on card as a supplement to the paper, available in black and white or colour. He quit as regular cartoonist after the Parnell marriage scandal in 1891 (O'Hea remained a supporter of Parnell, while the paper sided against him), succeeded by Fitzpatrick, but occasional cartoons signed "Spex" were published there as late as 1899.
See also [[:Category:Freeman's Journal|Category:Freeman's Journal]]. Many, if not most, of the uncredited cartoons are by O'Hea.
 
  +
 
In 1893 he moved to London, where he moved in artistic circles and was celebrated as a raconteur. In January 1897 he delivered an illustrated lecture on "Irish Caricaturists and Cartoonists" to the Irish Literary Society in London. He had a few cartoons published in ''Punch'', and created cartoons in collaboration with Fitzpatrick for the ''Irish Figaro'' (1898-1901). Towards the end of his career, in 1914-15, he drew cartoons for Fitzpatrick's magazine ''[[The Lepracaun]]'', during Fitzpatrick's final illness, and contributed to ''The Quiz'' in 1915. He died after a long illness on 2 September 1922.
  +
 
O'Hea's talents were highly regarded, even by those who did not share his nationalist politics. In 1883 the conservative British journal ''St. Stephen's Review'' described O'Hea as an "out-and-out nationalist", but also as "one of the cleverest artists in the three kingdoms" who "could be making his thousands per annum if he cared to live in London, where he is well known and highly thought of;" instead he "draws his most marvellous cartoons for the most miserable of Irish comic papers." In 1890 William Ewart Gladstone gave "a high testimony to the ability and principle of the ''Weekly Freeman'' artist" and described his pencil as "directly guided by a spirit of patriotism".
  +
  +
==See also==
  +
*[[John Fergus O'Hea (c. 1838-1922)/Cartoons|Cartoons by John Fergus O'Hea]]
   
 
==References==
 
==References==
  +
*"[[The late Mr. John Fergus O'Hea]]", ''The Irish Times'', 9 September 1922
<small>
 
*Theo Snoddy, ''Dictionary of Irish Artists: 20th Century'', Merlin Publishing, 2002
+
*Theo Snoddy, ''Dictionary of Irish Artists: 20th Century'', Merlin Publishing, 2002
 
*B. P. Bowen, "Dublin Humourous Periodicals of the 19th Century", ''Dublin Historical Record'' Vol 13 No 1, 1952, pp. 2-11
 
*B. P. Bowen, "Dublin Humourous Periodicals of the 19th Century", ''Dublin Historical Record'' Vol 13 No 1, 1952, pp. 2-11
*Lewis P. Curtis Jr., ''Apes and Angels: The Irishman in Victorian Caricature'', David & Charles, 1971
+
*Lewis P. Curtis Jr., ''[[Apes and Angels: The Irishman in Victorian Caricature]]'', David & Charles, 1971
*Roy Douglas, Liam Harte & Jim O'Hara, ''Drawing Conclusions: a Cartoon History of Anglo-Irish Relations 1798-1998'', The Blackstaff Press, 1998
+
*Roy Douglas, Liam Harte & Jim O'Hara, ''[[Drawing Conclusions: a Cartoon History of Anglo-Irish Relations 1798-1998]]'', The Blackstaff Press, 1998
 
*Joel A. Hollander, ''Coloured Political Lithographs as Irish Propaganda'', The Edwin Mellen Press, 2007
 
*Joel A. Hollander, ''Coloured Political Lithographs as Irish Propaganda'', The Edwin Mellen Press, 2007
  +
*Carmel Doyle, "O'Hea, John Fergus", ''Dictionary of Irish Biography'', (Eds.) James Mcguire, James Quinn, Cambridge University Press, 2009
 
*Athol Mayhew, ''[http://www.archive.org/details/jorumofpunchwith00mayhuoft A jorum of "Punch" with those who helped to brew it : being the early history of "The London Charivari"]'', 1895, p. 149
 
*Athol Mayhew, ''[http://www.archive.org/details/jorumofpunchwith00mayhuoft A jorum of "Punch" with those who helped to brew it : being the early history of "The London Charivari"]'', 1895, p. 149
 
*[http://paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&d=NZT18930915.2.14&l=mi&e=-------10--1----0-all Irish News], ''New Zealand Tablet'', 15 September 1893
 
*[http://paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&d=NZT18930915.2.14&l=mi&e=-------10--1----0-all Irish News], ''New Zealand Tablet'', 15 September 1893
Line 56: Line 40:
 
*[http://iisresource.org/irish_card.aspx Ireland in Schools: The 'Irish card' in the 1885-86 general elections]
 
*[http://iisresource.org/irish_card.aspx Ireland in Schools: The 'Irish card' in the 1885-86 general elections]
 
*Multitext Project in Irish History, [http://multitext.ucc.ie/viewgallery/1021 Home Rule: the elections of 1885 and 1886], University College Cork
 
*Multitext Project in Irish History, [http://multitext.ucc.ie/viewgallery/1021 Home Rule: the elections of 1885 and 1886], University College Cork
</small>
 
   
  +
===Online reference===
{{DEFAULTSORT:O'Hea John Fergus}}
 
  +
{{wikipedia|John Fergus O'Hea}}
[[Category:Political and editorial cartoonists]]
 
  +
 
{{DEFAULTSORT:O Hea John Fergus}}
 
[[Category:Creators O]]
 
[[Category:County Cork creators]]
 
[[Category:County Cork creators]]
[[Category:Weekly News]]
+
[[Category:DIB]]
[[Category:The Lepracaun]]
+
[[Category:Cartoonists]]
[[Category:Pat]]
+
[[Category:Story paper illustrators]]
  +
[[Category:Biographical Dictionary of Irish comics, cartooning and illustration]]
[[Category:Freeman's Journal]]
 
[[Category:Zozimus]]
 
[[Category:Ireland's Eye]]
 
[[Category:The Nation]]
 
[[Category:Evening Telegraph]]
 
[[Category:Shamrock]]
 

Latest revision as of 20:40, 31 May 2019

JFO'Hea

Self-caricature

John Fergus O'Hea (b. Kilkerran, Co. Cork, c. 1838; d. London, 2 September 1922) was a political cartoonist who sometimes published under the pseudonym Spex. He was the son of James O'Hea, a barrister who was active in the Young Ireland movement and had been secretary to Daniel O'Connell.

He first attended the Cork School of Design in 1850, and also received some medical edication in Nice, before dropping out and returning to Cork. He matriculated at the Cork School of Design from 1857 to 1860.

In the late 1860s he became the primary cartoonist for A. M. Sullivan's nationalist Weekly News in Dublin, his drawings usually appearing on the front page. O'Hea's cartoons were part of Sullivan's attack on the 1867 execution of the "Manchester Martyrs", three Fenians who had killed a policeman while springing their comrades from a police van, and he supported his editor when he was arrested for seditious libel for his protests, visiting him in prison several times.

Despite these anti-establishment activities, O'Hea was commissioned to paint Punchestown in 1868, commemorating the visit of the Prince of Wales to Punchestown races. The painting contained likenesses of the royal party, jockeys and patrons of the races, and prints circulated widely.

In 1870 O'Hea and Sullivan founded the humorous magazine Zozimus, an Irish answer to Punch. O'Hea was chief artist and drew the covers, as well as the "Our Niche" feature, a sketch portrait of a notable figure. In its second year Richard Dowling became editor. Other cartoonists who contributed included Harry Furniss and Wallis Mackay. In 1872, after Zozimus folded, he moved to London and contributed to a short-lived magazine called Tomahawk.

Back in Dublin in 1874, O'Hea, Dowling and Edwin Hamilton founded Ireland's Eye. After the style of Vanity Fair, each issue featured a colour caricature of a notable person, drawn by O'Hea under the name "Spex". Two editions of each issue were published, one at 6d with the cartoon in colour, the other at 3d with the cartoon in black and white. Ireland's Eye closed in 1876, after which O'Hea and Hamilton launched Zoz, a weekly paper for which O'Hea drew a full or double page cartoon in each issue. The politics were toned down, and the satire focused on Dublin society figures. It lasted until 1878.

In 1879 O'Hea and Hamilton launched a new magazine, Pat, another satirical weekly, in which O'Hea lampooned English cartoon stereotypes of the Irish, and introduced the character of Pat, the Irish people personified as a handsome, good-natured tenant farmer, sometimes discreetly armed with a shillelagh. Pat temporarily ceased publication in 1880, but reappeared in 1881, O'Hea now creating his cartoons in collaboration with a young protegé, Thomas Fitzpatrick, and finally closed in 1883.

For a time after that, O'Hea was manager of the pictorial department of the Evening Telegraph, and created poster-sized chromolithographs for the Christmas issues of magazines such as The Shamrock, Young Ireland and The Sunshine, and drew cartoons for A. M. Sullivan's newpaper The Nation.

He drew a regular black and white cartoon on the front page of the Weekly Freeman from August 1879 to December 1880, following which his cartoon was printed on card as a supplement to the paper, available in black and white or colour. He quit as regular cartoonist after the Parnell marriage scandal in 1891 (O'Hea remained a supporter of Parnell, while the paper sided against him), succeeded by Fitzpatrick, but occasional cartoons signed "Spex" were published there as late as 1899.

In 1893 he moved to London, where he moved in artistic circles and was celebrated as a raconteur. In January 1897 he delivered an illustrated lecture on "Irish Caricaturists and Cartoonists" to the Irish Literary Society in London. He had a few cartoons published in Punch, and created cartoons in collaboration with Fitzpatrick for the Irish Figaro (1898-1901). Towards the end of his career, in 1914-15, he drew cartoons for Fitzpatrick's magazine The Lepracaun, during Fitzpatrick's final illness, and contributed to The Quiz in 1915. He died after a long illness on 2 September 1922.

O'Hea's talents were highly regarded, even by those who did not share his nationalist politics. In 1883 the conservative British journal St. Stephen's Review described O'Hea as an "out-and-out nationalist", but also as "one of the cleverest artists in the three kingdoms" who "could be making his thousands per annum if he cared to live in London, where he is well known and highly thought of;" instead he "draws his most marvellous cartoons for the most miserable of Irish comic papers." In 1890 William Ewart Gladstone gave "a high testimony to the ability and principle of the Weekly Freeman artist" and described his pencil as "directly guided by a spirit of patriotism".

See also[]

References[]

Online reference[]